Kentucky music is where it’s at. Even during a pandemic, Kentuckians keep cranking out music that somehow, someway, continues to change the musical landscape. Look no further than the bluegrass release from Sturgill Simpson that debuted at number one on the Billboard Charts, or even the politically enlightened release from Tyler Childers. Chris Stapleton is slowly introducing the world to his next release as well. So there is no shortage of powerful Kentucky voices making the world a better place.
I present to you now, yet another powerful Kentucky voice, and I mean that in every sense of the word. Allow me to make that trio of Southeastern Kentuckians into a quartet for ya by introducing you to Johnson County native, Sean Whiting. Whiting’s voice is as powerful as the diesels he once drove for a living and you’re gonna walk away from this article as a fan. (more…)
I’ve been blessed to cover an amazing array of bands and artists over the last eight years or so. I’ve also worked with just as many as a talent buyer. As I look back at the body of my work, there is one band that has always been a constant. That band is Edmonton, Kentucky’s Black Stone Cherry.
From booking shows, to creating graphics and posters, to covering the band on just about every Kentucky home show, I’ve given a lot to “fight the good fight” for these fellas. There’s a reason for that, and it’s likely not what you’re thinking.
The obvious answer is their music. Yet, while that’s certainly a large contributing factor, it’s their collective character that continues to compel me to focus on the band. I have never met a fan, a fellow musician, a publicist, a promoter anyone say a bad word about the fellas in Black Stone Cherry.
Do I love their music? Absolutely. Am I blinded by our friendship? I certainly don’t think so. In fact, our friendship puts them under an even bigger microscope than most. I’ve likely seen upwards of 30 shows over the years. Ya know what? I’m yet to see a show that has disappointed. That’s not something I can say about very many bands or artists. (more…)
For the second week in a row I find myself at the Jenny Wiley Amphitheater for a socially distant outdoor show. Yep, you read that right “for the second week in a row” take that 2020!!
For those that aren’t familiar with tonight’s venue, the Jenny Wiley Amphitheater is part of a Kentucky state park, the Jenny Wiley State Resort Park, located in Floyd County very near the town of Prestonsburg deep in the hills of eastern Kentucky. Prestonsburg is also home to another of Capture Kentucky’s favorite eastern Kentucky venues the Mountain Arts Center. (more…)
Let’s face it, 2020 and COVID can collectively kiss all of our a$$es. Since I turned 21, live music has been a staple in my life and something that has been able to make my soul smile. Live music is my antidepressant. 2020 has largely robbed me of that peace. But on Sunday, it was time to return to the Mother Church of Kentucky Music, The Burl.
Make no mistake, COVID still had it’s hands in the experience, but The Burl has adapted quite well and won’t go down without a fight. Tables of six were sold for a show held in the parking lot of the Burl. Drinks and food could be ordered on your smartphone and you were allowed to be mask free, but only at your table. Social distancing was in full effect and thankfully the weather decided to be agreeable for once.
As for the parking lot show idea, The Burl is doing it right. Since they own the Arcade and now serve food, their corner of Lexington has once again reclaimed their undisputed title of the best venue to see a show. With tables of six spaced evenly on the parking lot, I felt safe from the dangers of COVID. Well, as safe as I could. I still had to sneak around folks to snag y’all some photos. Which, by the way, was something that I have missed way more than I ever dreamed.
Lexington, Kentucky’s Magnolia Boulevard Released Their Debut EP, ‘New Illusion’ on August 8th. Join us as we introduce you to the band while we show ya some of the reasons that Magnolia Boulevard should be on your radar.
I’ve been involved in music for a very long time. I’ve seen many careers blossom, and many more fizzle out. I’m a bit jaded at times because of that, BUT when I hear a song or an artist that immediately stands the hairs up on my neck and arms, I know my gut is telling me something. The first notes that I heard from Magnolia Boulevard did that and I’ve been a fan ever since. (more…)
I was asked to review the new Nicholas Jamerson album recently. I, of course, said yes. As I found myself listening, I kept thinking about just how different the music that Nicholas is creating now, is from his past successes with Sundy Best. Sure Nicholas has released albums since those days, but in my humble opinion, those albums were the necessary tool that he used to find his true musical identity. That identity is still deeply rooted in the hills of Eastern Kentucky, but from a musical standpoint, Nicholas has evolved into an intricate songwriter. A passionate storyteller. A gifted poet. A true Kentucky treasure.
*Photo courtesy of the lovely and talented Sarah Cahill
Jamerson has grown into an artist that much prefers the listener’s concentration over their affections. Nicholas has always had an incredible knack of melding lyrics and melodies into ear candy, but his voice now has more important things to convey. That’s why grabbing the listeners’ ear is much more crucial on this trip around the sun.
Equipped with the wisdom gained from living life, and the will to make the choice to take a gamble on himself, at least in my humble opinion, has paid off in spades. I was a fan of Nicholas before I was a friend, and his evolution since Capture Kentucky came to be, has been one of my favorite journeys to watch and I feel what Jamerson has found is more genuine and true to himself than any other work so far.
With his new release ‘The Wild Frontier’, out today, April 20th, Jamerson has set his sights on taking his music to the next level. Unfortunately for him and all of us, COVID-19 has become an unwanted hurdle but his determination is still unwavering and his belief in his creation is strong, as it damn well should be. Which is why I’m jumping back into Capture Kentucky for this article. The world needs this album and if my tiny voice can help Nicholas deliver it, I’m all in.
*A huge thank you to James Stamper for the assist with this article*
The Tedeschi Trucks Band brought their superb show to the best venue of its kind, the Mountain Arts Center on February 25th, 2020. The Mountain Arts Center, or known locally as the “MAC”, Is a 1,040-seat venue that in my mind has the best sound and best lighting system in all east Kentucky. I have seen a lot of shows here from Ralph Stanley to Ricky Skaggs to Goose Creek Symphony to Dressed to Kill – The Kiss tribute band. Every show has been perfect. I would love to see more acts appear at this venue. If you’re around Prestonsburg, KY and there’s a show happening, you must see what an amazing place this truly is. With that being said, I want to give a HUGE thank you to the Mountain Arts Center and the Mayor of Prestonsburg, Les Stapleton, for bringing this outstanding act to eastern Kentucky! This will be one show that will never be forgotten! (more…)
February 28th, 2020. A date that will be looked back upon as historians continue to tell the tales of both Sturgill Simpson and Tyler Childers. Time will determine which artist becomes more legendary, but make no mistakes, both will be Kentucky royalty for the foreseeable future.
While both artists have paved their own pathes to success, their names are often synonymous with each other. Is that fair? Only slightly. Sturgill Simpson did help produce both ‘Purgatory’ and ‘Country Squire’, but until this ‘Good Lookin’ Tour’, no one could ever say that these two Kentuckians rode one another’s coattails. (more…)