Here at Capture Kentucky, we do our best to shine a spotlight on as many Kentucky artists as we can. We do occasionally step outside the borders of our great Commonwealth, and this weekends Laurel Cove Music Festival is a prime example of why that is an exception.
The majority of the artists performing on Friday and Saturday reside here with us in Kentucky, but there are a few folks that we’re gonna make honorary Kentuckians for the weekend.
Friday nights in Louisville just became a lot hotter! Fourth Street Live! has teamed up with 97.5 WAMZ to feature some of Kentucky’s quickly rising young stars right in the heart of the downtown area. On a very humid night, Wolfe Countian Tyler Booth took the stage to kick off their ongoing concert series. He had in tow, another Kentuckian that has grown on the Austin City Saloon stage alongside him in Josh Bogard.
If you’re new to this site, welcome. If you’re not, then you’ve likely read an article on Tyler Booth. Either way, let’s hit the time machine and experience Friday nights show together. Shall we? (more…)
Fallsburg, Kentucky. A place that I had never set foot in before Saturday. Situated along Highway 23, near Louisa, Fallsburg has taken a major step forward in improving its tourism. As the Fallsburg Summer Stage was finally living up to its’ name by hosting a two-day music festival with some of the best musical talent around, but there was so much more to this little gem. Nestled in a beautiful valley, smack dab in the middle of an RV park, Fallsburg shined like the gem it is. Lots of space for parking and camping, but it was the music that brought on the smiles. There were wine tours and tastings with a shuttle. Several vendors on-site, including the always delicious Hillbilly Hibachi, the Bent Strings Beard Company, and the art of Jimbo Valentine. You could even attend their Haunted House once the music was finished. They gave you a lot of options and if you didn’t have a good time, that’s on you!
I was unable to attend on Friday night, but I was able to make it on Saturday and thankful to be able to bring y’all along with me. Friday was headlined by Cincinnati’s Buffalo Wabs & the Price Hill Hustle, along with Sean Whiting, and Nolan Taylor. While Saturday featured Cincinnati’s Arlo McKinley, Huntington’s El Dorodo, and Ashland’s Cole Chaney.
Cole Chaney was up first with an acoustic performance. You may have seen my article where I reviewed Chaney’s ‘Mercy’, his debut album. If not, you can read that here. Cole is one of the brightest young stars that Kentucky has to offer. His journey may have just begun, but rest assured it’s gonna be one heckuva ride, and on Saturday, he came to make a statement. Because he knew the enormous amount of talent to follow.
Swift Silver is likely a new name to many of our readers, but quite a few of you will the know the two musicians at it’s core. Anna Kline and John Looney, formerly known as Grits and Soul, have joined forces once again to bring you music that has been 10 years in the making.
The first time that I experienced the powerful duo perform together was at the very first Sweet Thing Jamboree back in early 2019. Anna’s vocal control was, is, and likely will be one of the best around. She was captivating. Plain and simple. (more…)
I chose to feature 10 Black Stone Cherry songs that I personally feel have been massively overlooked and very underappreciated. I’m lucky to claim these fellas as friends and since I have a long history with the band, I felt that this article would be the perfect fuel to keep the Capture Kentucky (Lonely) Train rolling. Ha!
This list will consist of some deep album cuts and some bonus tracks. I’ll also toss in my personal favorite Black Stone Cherry song to top it all off for ya. Sit back and let’s take a little musical trip as friends. Shall we?
I’m a firm believer that great music will find you if you’re willing to listen. In the case of Cole Chaney, I heard his name long before I ever heard a song. The music community that I’m incredibly blessed to be a part of was shouting his name from seemingly every rooftop. Several folks went out of their way to make sure Chaney was on my radar.
It’s been a bit since I’ve written anything about the folks in Sundy Best. I was honored to photograph a show way back in 2014 at the Appalachian Wireless Arena in Pikeville. The guys were ramping up and riding an incredible high at that time, but unfortunately, the band would come to an end back in 2018.
The year 2020 can kiss my a$$, and up until Saturday night, 2021 could kiss it as well. There, I said it. Let’s just lay it to rest and focus on the future.
As the weather begins to warm up, the hope is that the musical opportunities do so as well. That’s what drug me out of hibernation, and after receiving my 2nd vaccination shot, I’ve been waiting patiently on an opportunity to jump back in here at Capture Kentucky. Now is not only the right time, but it’s also the right show.
If you’re new to the band or the site, allow me introduce ya. Back in 2017, I heard the first notes from a fairly new band that shook me to my core. That band was Magnolia Boulevard. (more…)
Eric Bolander has officially released the music video for “Cold Men” — chronicling the Blackjewel Miners protests in Harlan County, Kentucky in response to owed back pay.
This new single, produced by regular Bolander collaborator Duane Lundy (Sturgill Simpson, Ringo Starr) in Lexington, Kentucky, is a natural transition in Bolander’s catalog as a deeply-emotional protest song in an ever-tumultuous world. While it is based in the realities of a specific event, it serves as a cathartic microcosm of the pain so many have felt in the past year.
You might have seen The Local Honeys open for Colter Wall or Tyler Childers. If not and you’re behind, start with the double-side single they released today on La Honda Records. “Way down in the hole where he earns his pay, it’s dark and unforgiving. Digging this coal and digging his grave, he’s dying to make a living.” Talk about direct, “Dying To Make A Living,” along with its double-single counterpart “Octavia Triangle,” pulls no punches in painting a grim, realistic picture of life lived working underground. Sonically, this double-single from The Local Honeys represents two sides of old-time music— one led by phase-shifted electric guitar and the other by clawhammer banjo, both a beautiful complement of the other. Both tracks were released today via La Honda Records (home of Colter Wall, Vincent Neil Emerson) and can be purchased or streamed right here. Hear more about the origin of “Dying To Make A Living” and “Octavia Triangle” from The Local Honeys in this behind the scenes video.
In Their Own Words: “‘Dying to Make A Living’ is a song we first heard a few years ago from Rich & the Po’ Folks at the Seedtime on the Cumberland festival in Letcher Co., Kentucky. They were performing a traditional adaptation of the song, written in 2006, by WV Hill and AJ Mullins of the band Foddershock in Southwest Virginia. The song is a prime example of the continued collaborative nature within this region. Traditional music is an evolving art form, living and breathing in generations as they come and go. This song is an honest and brutal commentary of the working men and women dying to make a living at the expense of their bodies to power the world outside of Appalachia.”