If you’re a reader of this site, you know that attending hometown shows of Kentucky artists is our favorite activity. So on Saturday we loaded up and headed to Glasgow for night two of Black Stone Cherry’s sold-out performances at the historic Plaza Theatre.
The guys all grew up in and around the small nearby community of Edmonton. They formed several years ago and have had a tremendous run over the last 12 years or so. After releasing several albums under the Roadrunner Label, the band left for greener pastures and ultimately ended up at Mascot Records.
So with a new found freedom and total control over their creativity and direction, the guys have continued to not only survive, but to thrive in the world of streaming and illegal downloads. That’s not only a testament
Shania Twain is a name that needs no introduction. Shania has sold more albums than any other female Country artist in history. Due to a medical issue, she was forced to step away from her musical career back in 2004. Shania took advantage of her time off to raise her son and enjoy their time together while regaining the vocal strength needed to ultimately make her return. Shania did just that as she came back in 2011 for a concert residency in Vegas that ran for about three years. She didn’t release another album until 2017, which came two years after Shania announced her farewell tour back in 2015. Thankfully for us, she changed her mind and we were able to catch her in Louisville.
This review will be a bit different than most. We will certainly discuss the massive production that Taylor Swift brought to our Commonwealth, but first, I want to talk a bit about how my entire idea for this review just wasn’t going to say what needs to be said and I’ll tell you the exact moment when that happened.
Having seen some of the largest pop artists going, I fully expected all the bells, whistles, pyro and dancers. What I really didn’t grasp was just how much Taylor Swift actually means to her fans. From age 3 to age 70, I saw their hearts in their eyes. Each of them had that loving, caring look that your Grandmother gives you. You know the one. The one where her eyes seem to smile from the love and pride she has for you.
I’ve spoken at length on this site about how special shows are when an artist returns home to the folks that helped create them. I’m going to do that again, but this time, it’s different. It’s special. It’s electric and if you missed it, I am truly sorry.
Lawrence County was the spot where the earth and cosmos collided to allow us earthlings to receive our Country Music Savior, but Lexington, Kentucky and Huntington, WV shaped this young man into the entertainer that he is. If you haven’t pieced it together by now, I’m talking about Kentucky’s newest favorite son, Mr. Tyler Childers. (more…)
I want to start this review with a huge thank you to my fellow Kentuckians. Lexington in particular, has never really been known as a “metal community.” In all honesty, it still isn’t, but Saturday night at the Manchester Music Hall, you folks delivered like I’ve never experienced you in roughly 18 years of going to concerts.
First, you sold-out Manchester Music Hall. Second, I saw ZERO fights despite massive amounts of liquid courage being consumed. As a whole, the night was a wet, sweaty, loud celebration of four great bands doing their best to deliver a show like no other.
Did y’all succeed in making a fun and loving atmosphere for the bands? I say, yes. Yes we did. So much so that Clutch frontman Neil Fallon said, “You guys are making this too easy.” Referring to the participation and sheer enjoyment that was had by all. So good on you, Central Kentucky. I’m super proud of ya! (more…)