If you’re a reader of this site, you know that attending hometown shows of Kentucky artists is our favorite activity. So on Saturday we loaded up and headed to Glasgow for night two of Black Stone Cherry’s sold-out performances at the historic Plaza Theatre.
The guys all grew up in and around the small nearby community of Edmonton. They formed several years ago and have had a tremendous run over the last 12 years or so. After releasing several albums under the Roadrunner Label, the band left for greener pastures and ultimately ended up at Mascot Records.
So with a new found freedom and total control over their creativity and direction, the guys have continued to not only survive, but to thrive in the world of streaming and illegal downloads. That’s not only a testament
Trans Siberian Orchestra visited Lexington, KY on December 6th with their fantastic “The Ghosts of Christmas Eve” at Rupp Arena. This show immersed the audience in an experience not soon to be forgotten. Along with traditional Christmas favorites, TSO performed new pieces for the audience to experience for the first time. Members of the Orchestra played from all over the arena, even soaring above the audience at times, and playing from a platform at the rear of the auditorium. Everyone, regardless of their seating section, were given a fabulous view of the show. The show was way more than just a regular concert, it went beyond a musical experience, as audience members were treated to a superb light show, LED screen projections, pyrotechnics, and even falling “snow”. Each performance by TSO includes regional guest performers, like Anna Marie Blanton from Jericho Woods, (more…)
*Photo provided by an anonymous Facebook rule-breaking renegade
Jason Isbell brought his acoustic show to the Mountain Arts Center (MAC) for a nearly sold-out performance. Just over 1,000 tickets were gobbled up almost immediately and deservedly so. There were a few seats that opened up last minute, otherwise it would have certainly been a sell out.
I do want to say one thing about the MAC. I know I sound like a broken record, but the MAC is an absolute Kentucky treasure. I have now seen Chris Stapleton, Tyler Childers and Jason Isbell in that room. If you’re overlooking the MAC, you need to remedy that because those folks and the venue itself are top-notch.
Mr. Isbell is often recognized as one the greatest songwriters around and in what has became a winter tradition, Jason Isbell ends the year with
Last year, we made the trek to Prestonsburg after being invited to the Mountain Arts Center, or MAC as it is often referred to, to photograph their Christmas show. The MAC was the vision of Bille Jean Osborne. She was a lifelong educator that made it her goal in life to create a venue and a musical program to help foster the talent in and around Eastern Kentucky.
Her vision not only garnered the wonderful venue that is the MAC, but it began when she created the Kentucky Opry, which is now named in her honor. Billie Jean Osborne was a wonderful lady, and as an educator, she made sure she included the kids in most everything she did. That’s also why the Kentucky Jr. Pros exists.
Both of those organizations are given many opportunities to shine throughout the year, but the Christmas shows are definitely a highlight, as the Jr. Pros open the (more…)
This article won’t be in-depth. There’s a really simple reason for that and once you see the photos, you’ll get it. After all, they say that a picture is worth a thousand words right?
The Burl had to be at or near capacity. It was PACKED and I could not have been more proud. I struggled to get photos. I struggled to see. I struggled all night and I couldn’t have been happier. Seeing your friends have success is one of the best feelings on this earth.
The two bands on the bill were Magnolia Boulevard and Joslyn & The Sweet Compression. Joslyn played Magnolia Boulevard’s release party earlier this year, so it was only right that they return the favor. Our music
community family showed up early and were there to celebrate the night away. No fights. No one passed out. No one unhappy. The room was all love. From folks like Justin Wells and Duane Lundy to Roger Combs and Matt Wickstrom, everyone’s heart was filled with love.
I have written several articles about when artists return home to Kentucky, but in my lifetime, none will likely be bigger than Chris Stapleton playing Rupp Arena. As a fellow Eastern Kentuckian, Rupp Arena to us, is like the Ryman. It’s our Mother Church. It’s an arena named after Coach Adolph Rupp and is the home of our beloved Kentucky Wildcats in downtown Lexington. For a Kentucky artist, that was born in this city, to rise in popularity and be able to sell-out over 17,000 seats at Rupp Arena is unheard of. Unchartered territory, even.
The Kentucky Headhunters, Billy Ray Cyrus, The Backstreet Boys featured a couple Kentuckians, John Michael Montgomery and Montgomery Gentry had some great success. But Chris Stapleton is the only singular artist to have sold-out Rupp Arena as a headliner to be born in Lexington. At least to my knowledge.
Doyle Wolfgang Von Frankenstein is a legend in the annals of Punk Rock history. At the tender young age of sixteen, he was skulking about the stage in Frankenstein attire playing quick licks for Hall of Fame snubbed Horror Punk Band, The Misfits. The costume-clad group made a name for themselves in the early eighties with horror-themed theatrics and morbid, sometimes outlandish lyrics that embodied the true nature of Punk Rock. After going through several members in his previous band, Gorgeous Frankenstein, Doyle along with the band’s latest singer, Alex Tory decided to move on under Doyle’s name. The band has had success releasing two albums and several collaborations with industry heavyweights. (more…)
In 2017, The Moonshiner’s Ball was the first festival that I covered as Capture Kentucky. I covered many shows and we featured many festivals on my old site,Unsung Melody, but most were out of state.
As Capture Kentucky began to evolve into what you’re reading now, I quickly came to the realization that festivals like The Moonshiner’s Ball are way more important than large overpriced festivals. Mainly because there importance immediately impacts the culture that I care most about and that’s my community. My State. My friends. Besides, without festivals like Moonshiner’s, where would the bands on those large overpriced festivals get the traction to make it to those bigger paydays?
Before we get into this article, I want to take a moment to ask for your help. Kentucky, West Virginia and Virginia are facing a terrible opioid epidemic. Organizations like Healing Appalachia assist folks with recovery, as well as setting up programs to help prevent addiction.
As an Eastern Kentuckian, much like Mr. Tyler Childers, I want to help where I can. I was asked to donate some prints which were sold at the event. Here is where you come in. If you weren’t at this show, please consider donating online. Together, we can make a change.
If able, please donate here. Thank you.
The crickets, frogs and birds provided the soundtrack for a peaceful nights rest and it was once again time to do some kickin’ on the creek.The music started early on my day two and the fact that Mr. Childers would be playing later on Saturday night, I fully expected the crowd to be much thicker.
The Wine Tree Band began the day for folks, but I have to admit they didn’t start mine. So my apologies to those folks. The sirens song that the frogs and crickets sang kept me in bed until about 9:15. As I awoke and scanned the schedule for the day, I suddenly realized that Saturday was going to be a who’s who for Kentucky and regional music. (more…)